theaters
theaters on Lee LHGFX Photography: a running collection of 2 stories we have gathered and hand-picked because they are worth your time. Every post here touches on theaters in some way — the news, the analysis, the deep dives, and the occasional surprise find. Lee LHGFX Photography is a dynamic portfolio and lifestyle hub built around the artistic work of @lee_lhgfx — a highly engaged Instagram creator and photographer known for… New stories are added to this page as we find them, so check back if you want to keep up with what is happening around theaters, or subscribe to the RSS feed to get them as soon as they are published. Browse the collection below, or head back to the homepage to see everything Lee LHGFX Photography is covering right now.
‘The Invite’ Director Olivia Wilde Takes a Tour of Kodak’s 35mm Film Lab
Following Christopher Nolan's cinematic triumph with *The Odyssey*, another film embracing the artistry of 35mm film is captivating audiences. Director Olivia Wilde recently toured Kodak's film lab, highlighting the enduring appeal of this classic medium. The behind-the-scenes glimpse underscores the resurgence of film in contemporary cinema. For those intrigued by the broader conversation around film formats and accessibility, explore our piece, "Gen Z Thinks ‘The Odyssey’ in IMAX 70mm is Elitist," offering a unique perspective on audience engagement.
This is What It’s Like Projecting Gigantic 70mm IMAX Film for ‘The Odyssey’
Experiencing Christopher Nolan's *The Odyssey* in its intended glory—70mm IMAX—is a rare privilege. Only 41 theaters globally possess the capability to project this monumental film, offering an unparalleled cinematic immersion. Witnessing Nolan’s vision realized on such a grand scale elevates the experience beyond the ordinary, showcasing the artistry of both filmmaking and projection technology. For those interested in the behind-the-scenes process, explore our article, "Test shoot I did in Singapore with Reuben Foong," for a glimpse into the raw visuals captured on set.